Friday, February 18, 2011

Anarchist Fiction: Point Nemo

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'Point Nemo' by CJ Laity is a sharp and funny satire of the insanity that passes for contemporary
American political and media sensibility in all of its collapsing imperial goodness. A great beach read,
but don't bother sharing with a tea bagger--they won't get it.


--Larry Winfield, author of Banjo Strings



Joseph Engel is convicted of treason and strapped to a gurney in the Terre Haute federal death chamber. When the warden asks him if he has any last words, Joe begins talking non-stop, telling the strange tale of how he ended up there, challenging the warden to quote him a law that puts a time limit on a prisoner's final statement. What happens when a populated island called the Sovereign Nation of Aurora is discovered at Point Nemo, the point in the ocean farthest away from any land? What happens when the king of the island, a dreadlocked man named Harmon, hacks into the entire American communications infrastructure with a video stream offering a trade proposal? What happens when an America controlled by an insane government plots to invade the island and turn it into a military base? What happens when a senator's cook named Joe unwittingly finds himself the American Ambassador to the island? Joe is going to tell you what happens, as he stalls his execution as long as possible. Can Joe talk his way out of the death chamber? Here's a sneak peek at my new political satire Point Nemo followed by an opportunity to get a copy of it.


*click to order a book*

I
* KING HARMON *

18:00 in the death chamber.

On a rainy Saturday, July first, the curtain was pulled away and I could see the shapes of the witnesses behind the tinted window of the asparagus colored death chamber in Terre Haute. I reclined on a black gurney, strapped in, covered to my neck by a light gray sheet under which a heart monitor was connected to my chest, the IV waiting to carry the deadly three-drug combination into my bloodstream inserted into my leg. Warden Harvey Pickett stood at attention at my side facing the window and U.S. Marshal Andrew Freeman stood near a bright red phone that was on a metal tray next to a door. There was a white analog clock on the wall in front of me and a closed-circuit video camera watching me from the ceiling.

“Do you have any last words,” the warden hailed without facing me.

“I certainly do,” I said, my eyes desperately scanning the room. “I wish to make a final statement. First, I would like to say that if the Chinese had granted me asylum six and a half years ago, I wouldn’t be in the fix I’m in. I was picked up by a Ching Chiang class patrol ship, you know, after the helicopter that took me off the island crashed in the South Pacific. I was held in a brig with a Chinese prisoner who had brown birthmarks on his cheeks and who had an ear bigger than the other. He lay on a cot, his hands chained to the wall, and I sat on another cot across from him, my body free of restraints. I asked him if he knew what had started the international crisis and he merely smiled a mouthful of gray teeth at me. Amazed that he had been kept so ignorant, I began to tell him how it all began.

“‘The Sovereign Nation of Aurora sat in the middle of the South Pacific Ocean for weeks,’ I told him, ‘unnoticed by the other seven billion people of the world, while Murray Goldberger, the student from the University of Pennsylvania who discovered the island while studying cloud patterns, wrote a career making article that he easily got published in a leading scientific journal. That article was then republished in National Geographic, but still, nobody paid it any mind. It wasn’t until bold headlines at the supermarket checkout lines shouted “Prehistoric Island Surfaces” and “Atlantis Appears In South Pacific!” that I paid attention, and even then it was just for a laugh while waiting for the new kid to figure out how to properly scan a barcode. Of course, I assumed, the headlines were a joke. The buzz eventually moved from the tabloids to National Public Radio talk shows that featured experts debating the existence of “Point Nemo Island.” The loud and obnoxious cable news anchors weighed in next. They had photos taken by NASA satellites that seemed to prove that there was indeed an up until that point undiscovered island somewhere near the oceanic pole of inaccessibility, previously considered to be the point in the ocean farthest away from any land.’

“The Chinese prisoner’s glassy eyes blankly stared at me.

“‘Things in the world started to get hairy,’ I continued, ‘when Robert Rush, host of the cable show Oh Really! theorized that the mysterious Point Nemo land mass may not be an island at all, but maybe it was some type of giant warship, because its coordinates radically changed with each satellite photo taken of it. When Robert Rush’s touch of fear was added to the equation, everyone perked up and attached the letters WTF to a link on their Facebook pages.

“‘Scientists attempted to calm the American people. They enlarged a satellite image and showed us a forest and a massive mountaintop peeking up through the fog. They argued that the land mass could not have been manmade because it was about the size of Tokyo. They also debated Mr. Goldberger’s theory that it recently formed by means of a volcanic eruption, arguing that there were all sorts of foliage growing on the island and certain shadows in the photos, they said, suggested that wildlife existed there. What they couldn’t explain was why the island seemed to shift in location, and so far, despite the photos of bits and pieces of it appearing through the fog, nobody had actually set foot on it. So the wild theories persisted.’”

Warden Pickett grunted and his eyes rolled briefly toward me.

“‘The fog closed in around the land mass one day and no one could find it anymore, so stories ran about the elaborate hoax that was Point Nemo Island, and poor Murray Goldberger was about to kiss his fame goodbye; until, three weeks later, the fog dissipated completely and there it was, at a new set of coordinates, shaped like a 40 mile long banjo, with a thirty mile peninsula leading into a pyramid-shaped mountain of lush vegetation circled by sand. There wasn’t a newspaper in the states that didn’t have an image of the land mass taken from outer space on its front page,’ I told the Chinese prisoner, pretending to hold a newspaper in front of my face.

“‘The cable news anchors shouted at each other about whether the island should be preserved or turned into a military base. America became divided on this point and hysteria about the subject became contagious.’ The Chinese prisoner coughed. ‘People insulted each other on internet comment boards, calling each other “fascist right wing neocons” and “lefty liberal moonbats.” Somebody in Holly Pond, Alabama plucked someone’s eye out with a spoon in a diner as the two of them argued about the island and the incident made national headlines. The hysteria was isolated though, as no other country besides America had yet been able to confirm the existence of the island. Foreign news sources were giving it little attention, some even shrugging it off as yet another invention of the American government to justify a military invasion of some sort.

“‘President Nolin,’ I said, ‘you know, President Nolin?’ The Chinese prisoner smiled and shrugged his shoulders. ‘She addressed the nation during a live broadcast to assure us that an expedition of our top intellectuals led by the United States Military would soon be under way and that by the end of the week, America will have had set foot on Point Nemo Island. “There’s no telling’ what we’ll find but I’m bettin’ on a bunch of trees and not much else,” Nolin said. “This thing must-a been there all along. It seems impossible that with all our technoligy nobody noticed it before but that's just what musta happened. It’s a ginormous ocean you know.” President Nolin then went on for some time about how she planned to hunt down and kill terrorists wherever they hid and then she said a prayer and her little show was over.’”

The warden shifted his weight and grumbled, “If you’re holding out for a last minute stay, you should know that the judge who signed your death warrant has passed, so you’re only stalling the inevitable.”

“Warden,” I said, “what state was I convicted in?”

“You were convicted in Utah,” the warden answered with a slight sneer.

“Isn’t it true that, even though we’re in Indiana, pursuant to eighteen United States Code three five nine six, the method of execution to be used on federal prisoners is that of the state in which the conviction took place?”

“That is the law,” the warden barked.

“And isn’t it true that the ‘method of execution’ applies not only to the means, lethal injection, but to the method in which that means is carried out?”

“We have gone through painstaking efforts to proceed under the laws of Utah,” the warden assured me.

“Isn't it common practice in Utah to allow a capital offender the chance to say his peace before his execution?”

“It is.”

“What part of Utah’s code of criminal procedure puts a time limit on a prisoner’s last words?”

“What’s the law on that?” the warden huffed.

“I’m not sure,” said the marshal.

“Until you quote the law that stops me, I plan to proceed.

“‘Something extraordinary happened next,’ I told the Chinese prisoner,” I said as the warden turned and gawked at me. “‘Immediately following President Nolin’s speech, every television transmission and every internet connection in America was taken over by a broadcast of a speech from a happy looking brown man with dreadlocks, big white teeth and bloodshot eyes. He sat on a park bench over a bed of sand in front of a wall of multicolored rock, wearing a wrinkled and weathered shirt with palm trees printed on it. He blinked a lot and flung his locks out of his eyes with the back of his hand as he spoke. His speech appeared on every laptop in every internet cafĂ©, on the big screen in Times Square, on fifty-seven different televisions at the local electronics store, even for those with digital converter boxes and rabbit ear antennas. His speech trumped all radio broadcasts and if you were on your cell phone during those few minutes, he spoke into your ear.’

“The Chinese prisoner seemed to be dozing off so I spoke up. ‘“People of America,” the happy man said, shaking his head and waving at us. “Please let me introduce myself. I am King Harmon of the Sovereign Nation of Aurora. For many centuries, the Nation of Aurora has existed in secrecy, independent of the rest of the world, because ours is a land of abundance and to be honest about it,” he winked an eye and a gold tooth glimmered from somewhere deep in his mouth, “there hasn’t been much you could offer us. We’ve always been a happy and peaceful nation without a care. Sadly, the time has come that our resources have run low, so we can no longer remain invisible to the world. So here we are, America,” he announced with formality, “self-proclaimed land of plenty, we make ourselves known to you in order to peacefully trade with you.” King Harmon flipped his hair out of his eyes and inhaled and exhaled with a firm nod of his head. “You will find that our needs are small compared to the vast resources we can offer in return.”

“‘A slender, dark skinned woman with braided hair briefly entered the frame to wipe some sand off of the king’s cheek with a little brush. One of her breasts plopped out of her kimono and it dangled there for a second before she disappeared into the sideline. King Harmon cleared his throat loudly.

“‘“American people,” he proclaimed, “we show ourselves in peace, and we anticipate the arrival of the expedition that your, uh, president talks about. Please however,” he said with a shrug and a grimace, squinting his eyes as if reading a cue card, “I am obligated to inform you that approaching Aurora without permission is impossible. No foreign vessels are allowed access to the shores of Aurora. We ask that your expedition rendezvous with the Royal Auroran Forces, where we will graciously pick up your council of representatives for, shall we say, a preliminary diplomatic meeting of the minds. If you’re down with that, please announce your intentions on any source of communication. We have access to it all.”

“‘King Harmon cleared his throat again and he looked straight into the eyes of each and every American. “We look forward to meeting and negotiating with the American people. Thank you and we now, how do you say it, resume you to your regularly scheduled programming.”'"

“Are you finished?” the warden pressed.

I ignored the warden and continued talking. “‘That evening’s news was dominated by the FCC promising to track down whoever was responsible for hacking into America’s communication infrastructure,’ I said as the Chinese prisoner yawned. ‘Diplomats and scientists assured us there was no populated island in the Pacific pole of inaccessibility, that the broadcast was a hoax. Raving talking heads speculated that since the broadcast only appeared within the United States, that it was the work of a foreign terrorist entity. Images of Osama bin Laden carrying a machinegun were aired while the talking heads talked, even when they weren’t talking about Osama bin Laden.

“‘On the other hand,’ I said, reaching over and tapping the Chinese prisoner’s knee, ‘the footage of King Harmon went viral on YouTube. Someone doctored the pitch of King Harmon’s voice to make his words sound as if they were sung to the theme to Gilligan’s Island: “People of America, introduce myself. King Harmon of Aurora. For centuries Aurora has exi-isted. In seee-eee-crecy.” The video received over one million views during its first day. Within a few more days posters and stickers of a likeness of King Harmon that resembled in style the work of Andy Warhol appeared on light poles and on abandoned buildings. By the end of the week, a riverboat casino in Illinois launched an advertising campaign: “Come and see the Aurora that really exists!”

“‘Some weeks later, as the buzz was dying down, President Nolin decided it would be wise to send Damodar Bhatnagar, her Chief Science Advisor, to CNM to be interviewed about why Point Nemo Island could not be located by anything other than a satellite. Damodar’s face was like an infant child, bloated with a too tight shirt collar, with bushy brows over deeply set eyes that seemed not to really look at anything.

“‘“We aren’t dealing with anything very mysterious here,” Damodar assured the anchorwoman who wore thick makeup and long, stiff hair. “The weather in that part of the world is atrocious. And the discrepancies in the island’s actual location are caused by magnetic fluctuations caused by solar flares playing havoc with our satellites. Once these conditions rectify themselves, which they naturally will, America will be setting foot on Point Nemo and we will proudly plant our flag there.”

“‘The anchorwoman pursed her lips and held her hand up to her ear, listening to a device that was in it. “Am I hearing this correctly?” she asked. “Do we actually have King Harmon live on video?”

“‘“What is this?” Damodar protested as he found himself on a split screen to the left of King Harmon, who was wearing a spectacular tie die shirt and jewel studded sunglasses, standing in front of a line of palms trees that flapped with a breeze.

“‘“I beg to differ,” King Harmon protested. “The weather here is quite lovely as always, as you can see,” and King Harmon’s camera strayed for a moment to show two children, a boy and a girl, who were completely naked, happily throwing stones into the foamy ocean waves with a beautiful blue sky beyond them.’”

“I’m really not sure what the time limit is in Utah,” the marshal quacked.

“Could you please find out?” the warden yapped.

Marshal Freeman picked up the red telephone receiver and he whispered into it.

“‘The broadcast swung back to King Harmon,’ I told the Chinese prisoner, swinging my arms at him as the patrol ship rocked. “As for our location,” and the king made a silly face and pointed downward at a caption that read: “Forty-eight degrees, fifty-two minutes, thirty-two seconds south; one hundred twenty-three degrees, twenty-three minutes, thirty-three seconds west.”

"'“Those are the coordinates, dude. Get a map,” the king laughed, “and draw a line from Ducie Island to Easter Island to Maher Island and back to Ducie and then plant a dot at the center of that triangle and that’s where the Royal Auroran Forces will meet you.”'"

“Hold on a second,” the marshal said with his hand over the receiver.

“‘“Hold on one second!” Damodar butted in, but King Harmon would have none of it,’” I said loudly over the marshal. “‘The king raised his voice as he continued!

“‘“Simply let us know when you intend to rendezvous with us and we’ll pick up your council for a preliminary meeting of the minds.”

“‘“Sir,” Damodar shouted back, “are you aware of the trouble you’re in?”

“‘“Mr. Bhatnagar,” King Harmon calmly said. “I am King Harmon of the Sovereign Nation of Aurora. I merely wish to discuss the possibility of a trade agreement. What possible trouble could come out of that?”

“‘“Sir, you are a phony and a fake!” Damodar raged as he flustered about. “You are an opportunist, perhaps a very talented hacker but nothing more. You’ll find yourself behind bars soon enough!”

“‘“Calm down, man,” the king said, clenching his teeth, his flat nostrils vibrating. He let out a long sigh. “Sheesh. Okay. I get it.”'"

“Do we have to stand here and listen to this?” the warden complained.

“‘“I’m not going to participate in this!”’” Damodar cried.

“They’re going to get back to us,” the marshal urged, slamming the phone down with a "Bangbing!"

“‘“To your eyes, we weren’t here yesterday, but now we’re here today. It all must seem like magic. How can that be, you want to know.” While the king spoke, behind him a topless, dark skinned woman in a dazzling gold head wrap, wearing a skirt made out of strings of beads, picked fruit from a small tree, putting them into a bowl that she held snugly under her arm.

“‘“Oh for heaven’s sake!” Damodar cried,’ I said to the Chinese prisoner,” I told the witnesses behind the tinted window, jinxing the warden.

“‘“I can’t give you all the answers, lickety split, just like that, man. At least have the courtesy to meet me face to face. I’ll tell you what, come to the coordinates and then send out one of those drones that I keep hearing about,” King Harmon proposed with inspiration. “I’ll let it enter our airspace,” and he flew his right hand over his left hand making propeller sounds with his lips, “to perform one single flyover—”

“‘“Are you on drugs?!”

“The Chinese prisoner jolted as if he thought I was about to strike him.

“‘“—during which you can snap as many photos as you like to prove to yourselves that we are indeed a nation of peaceful people. And then,” the king nodded his head, his locks swinging, “get back to us about when we can meet to discuss trade negotiations. Peace brothers.” King Harmon stuck up his hand and gave the peace sign, but I swear I saw his eyes express a bit of disgust behind his sunglasses, before his side of the screen went blank.

“‘The ticker tape at the bottom of the screen reported “King Harmon Invites U.S. Drone To Fly Over Point Nemo.”

“‘“Will the U.S. Government accept the offer?” the anchorwoman enquired.

“‘“This was an ambush,” Damodar objected.

“‘“Mr. Bhatnagar, will the United States be sending a drone to inspect Point Nemo Island?”

“‘“That’s not up to me. But I will say this person you are dealing with is undoubtedly a cyber terrorist and the United States of America does not negotiate with terrorists. Judging by that broadcast, that you should be ashamed to have aired, we should all be disturbed by the images of those nude children. I’m very, very concerned for their safety. It’s our obligation as Americans to protect those children from this madman.”

“‘A few days later,’ I said, winking at the Chinese prisoner, ‘a slender white drone was launched from a navy vessel toward the coordinates. As it flew away into the horizon, it undoubtedly faded into a sudden fog beyond which were waves of red and green light. The navy lost track of the drone and I imagine there was a lot of frantic manipulation of instruments and panicky voices shouting, until the drone reappeared and landed safely upon the vessel without a hitch.

“‘The photos taken by the drone were promptly leaked. They showed small villages made up of huts and tents, with some frame houses and stone structures as well, unpaved roads occupied by ox drawn carriages ridden by men and boys in triangular straw hats, as well as a few rectangular, rusty sedans and flatbed trucks of no known make or model. The photos also showed farm after farm with vast, healthy crops growing. Some photos showed populations of barely dressed people performing activities of work and play. One photo showed women washing fabric in a creek, and another, a man waist deep in water casting a fishing pole into the ocean. Some of the people appeared to be waving up at the drone with huge smiles on their faces.

“‘Most of the photos were taken over the five mile wide rolling jungle that stretched thirty miles from south to north. At the northernmost part of that peninsula, the land rose until it hit a gigantic four sided mountain circled by white beaches, piers and various boats.

“‘The photos that were taken of the mountain itself were nothing short of breathtaking. Magnificent waterfalls sparkled among the thick forest of it and winding roads and trails scarred all sides of it. The photos suggested that the mountain communities revolved around individual tasks. In one photo dozens of people gathered around a tremendous psychedelic rug woven out of a long machine made out of wood. Another village seemed devoted to maintaining a giant contraption of tubes and flasks with fires of various sizes underneath it and stacks of wood barrels near the still. Yet another photo showed a valley that boasted an elaborate stage with colorfully dressed people dancing and leaping into the air on it, while a crowd of others gathered on a lawn in front of it to watch.’”

“You could see all of that from a photo,” murmured the warden.

“Actually, when you looked at the photos on the internet, you could zoom in even closer to see all sorts of wildlife—monkeys and lions and foxes among them—in the forest, yes, but mingling about the people as well, who seemed to pay them no mind. You could see flocks of birds flying over the trees and schools of fish in crystal clear ponds. You could zoom in to see bananas and mangos and coconuts growing in the trees.

“‘Toward the top of the mountain,’ I continued with the Chinese prisoner, ‘some igloos could be spotted. The people at the farthest reaches of the mountain were of a lighter complexion and were fully dressed, most wearing coats, bushy hats and gloves. One photo showed about thirty of these fully dressed individuals waiting in a single file line to enter a cave. And at the very top of the mountain, everything disappeared into a barren, rocky peak that seemed to be sprinkled with glitter.

“‘To anyone in America with a pulse, the island was now called Aurora.

“‘But that didn’t stop certain people from yakking.

“‘“I think what we’re dealing with is some type of cult,” one expert professed. “Perhaps this lunatic who calls himself a king is a tax-evading millionaire who’s running a slave trading ring.”

“‘“Quite clearly Point Nemo is not occupied by a technologically advanced people,” another expert testified. “To assume that these natives in their loincloths with their campfires hacked into the entire communication infrastructure of the United States of America is pure folly. What we’re dealing with is a foreign entity, using this discovery as a negotiating tool. Perhaps Iran and North Korea are behind this!”

“‘“This is the real world,” yet another expert insisted. “An island does not move from point to point and it does not disappear and reappear. This isn’t an episode of LOST. If we look beyond the smoke and mirrors the bottom line remains: something is out there. If we increase the amount of vessels in the expedition and use our Air Force to scour the area, we’ll eventually run into this thing. Just get it done already!”

“‘The Sovereign Nation of Aurora was not recognized by the United States of America, which continued to call it Point Nemo. A dozen ships were sent out to find it, but each no doubt found itself wandering around, lost in the wafts and swirls of colorful lights as the island’s coordinates kept changing, and the Air Force no doubt flew around in circles looking down at nothing but glowing white fog. For months the hunt was on, until the New Madrid fault line slipped, giving Chicago one hell of a jolt.’”

“I remember that!” a muffled voice shouted from behind the tinted window.

“‘Then came Bondo Ongimba, President of Gabon, standing on the shore with a big smile on his face as he shook King Harmon’s hand. America turned red,’ I said, giving the Chinese prisoner another slap on the knee, ‘not from partisanship but from embarrassment, when a small African state of rainforests set foot on the mysterious island before it could. What I hear was, CIA operatives in Gabon found out a deal had been struck between the Gabonese and the Aurorans. Aurora would be allowed to retrieve one hundred tons of aluminum ore in exchange for some type of undisclosed technology. As preposterous as it sounded, the powers that be nearly had a collective stroke, and the match was thrown into the gasoline when other nations around the globe began thawing to the idea of Aurora’s existence.’

“I reached forward to tap the Chinese prisoner’s knee and he kicked his foot at me, so I sat back and continued.





Dear Reader,

I hope you have enjoyed reading the first 4000 words of my 62,000 word fiction novel, Point Nemo. Now you are hooked and you have to read the rest, right? I hope so. I have to warn you, though, the story gets pretty intense from here on.

I'm currently offering a limited number of self-published "collector's" editions to those who are interested, while I search for a permanent publisher for the story. The collector's editions will be professionally printed on demand in the form of 160 page, 8.5 x 5.5 books with glossy covers. They will most certainly be rarities after the manuscript finds its permanent publishing house.

Order Point Nemo: $12 free shipping thru PayPay ** $12 +shipping thru CreateSpace
Also soon available through Amazon.com . . .

After you read the book, feel free contact me to let me know what you think, because I will be collecting blurbs to help promote the book to publishers. Also, the manuscript has been entered into a major contest, so please wish me luck.

Yours in Poetry and Fiction too,

CJ Laity

Friday, September 10, 2010

The Next Mayor of Chicago Will Be . . .

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Dear Chicagoans,

Da Mayor Daley announced that he does not plan to seek another term, which means on February 22, 2011, Chicago will hold its first open Mayoral election since 1947. That's right. The seat is up for grabs and I intend to grab it as an independent candidate. I'm sure Jesse and Rahm or whoever will make worthy adversaries, but let's face it, they are politicians and there is enough dirt stuck to them to feed my front porch garden for another year, so it's time for a poet to take charge of this Windy City and I am one hundred percent serious.

I will file for the mayoral race between November 15 and 22, but in order to run, first I will need 12,500 signatures from registered voters who live in Chicago. Shit. We live in the age of the internet, so, no problem! Please click the "like" button at Facebook.com/TheNextMayorOfChicago and I will let you know how you can help get signatures when the time is right. Or email me. Don't worry 'bout it. We'll get it done.

MY CHICAGO POETRY PARTY PLATFORM.

My Chicago Poetry Party Platform is simple. Make Chicago a fun place to live in and people will be happier. There will be less crime. Doesn't it seem like you are being punished sometimes for living in Chicago? Your taxes are high. You can't hang out without some undercover goon giving you the evil eye. Everything costs too much. There are cameras everywhere snapping your picture. You can't do anything without first getting a permit. What the hell? Why doesn't the city just let us have some real fun once in a while? Well, as the new Mayor of Chicago I am going to put an end to all of that crap.

Here are seven promises that I will KEEP. If Rahm, or Jesse, or whoever is masochistic enough to go against me, can't make real promises like this, then DON'T vote for them. As Chicago's new Mayor:

--I will give that billion dollars back to the firm that quadrupled the cost of our parking meters and then I will allow all city residents to park for FREE. I'm not fooling around. You've earned it, Chicagoans.

--I will give the boot the boot. No longer will you be caught with a boot on your car when you are trying to get your mother to the hospital. That's just evil. There are less asshole-ish ways to get people to pay their parking tickets.

--I will push to allow bars to be granted a "smoking" permit so that smokers don't have to freeze their asses off in the winter, and so that pedestrians don't have to smell that awful stench each time they walk pass a tavern. If people want to go to a smoking bar why don't we let them?

--I am going to launch Operation Save Englewood, during which Chicago will make improvements to that neighborhood, paid for by a new tax on new construction condominiums. If the yuppies tear down this city's architecture in order to build cinder block boxes, then the yuppies are going to have to give Mrs. Jones some new siding for her house! And that's all there is to it!

--I will demand that the CTA bring back the "transfer." Right now if you want a bus transfer you have to get a Chicago Plus card that involves a credit card or bank account, and that is discriminatory to the poor. Everyone should have the same public transpiration rights in Chicago. Stop punishing the poor for being poor.

--Furthermore, I am going to lower the sales and property taxes. Your taxes are outrageous, Chicagoans. You need some relief and I will deliver it.

--And I am going to make Chicago more fun and less anal by keeping the parks and beaches open longer. And I'm going to make sure the prices at festivals such as Taste of Chicago are reduced for city residents, because who can afford to pay six dollars for a hot dog or eight dollars for a little cup of Budweiser? And I am going to hold MORE of these festivals. There will be festivals ALL YEAR LONG under my leadership, because when I call it the Chicago Poetry Party, I DO mean PARTY.

Don't worry. I have a wonderful plan on how to pay for all of this, a plan that I will reveal when the time is right. I will expound on my platform as my campaign develops.

So get ready to vote for CJ Laity for Mayor of Chicago. I am going to run this city like a city, not like an internment camp.

Your next Mayor,

CJ Laity

PS, please help spread the word!!

Monday, October 12, 2009

Orange Alert Reading Series at The Whistler on October 18

Sunday, October 18, 2009
The Whistler
2421 N. Milwaukee Avenue
What To Wear During An Orange Alert
6 to 8 PM
Featuring Larry O. Dean, Micah Lang,
Nathan Graziano, and Simone Muench.

Larry O. Dean was born and raised in Flint, Michigan. He attended the University of Michigan, during which time he won three Hopwood Awards in Creative Writing, an honor shared with fellow poets Robert Hayden, Jane Kenyon, and Frank O'Hara, among others. He is author of numerous chapbooks, including I Am Spam (2004), a series of poems “inspired” by junk email; his poetry has also been internationally anthologized. In addition to writing, he is a singer-songwriter, performing solo as well as with his current band, The Injured Parties; he has released many critically-acclaimed CD’s, including Fables In Slang (2001) with Post Office, and Gentrification Is Theft (2002) with The Me Decade. Dean was a 2004 recipient of the Hands on Stanzas Gwendolyn Brooks Award, presented by the Poetry Center of Chicago.

From OrangeAlert.net: “In her debut collection, Three Islands, Micah inhabits the thoughts of three individuals from three different centuries that all have found themselves on islands. You begin by tracing the levels of sanity of the imprisoned Robert Stroud (aka The Birdman of Alcatraz). Alcatraz is the island, but Stoud himself embodies the idea of an island with waves of emotion and uncertainty crashing all around him. What is so compelling about Lang's collection is how she blurs the line between fact and fiction.”

Simone Muench was raised in Benson, Louisiana and Combs, Arkansas. Her first book The Air Lost in Breathing won the Marianne Moore Prize for Poetry (Helicon Nine, 2000), and her second Lampblack & Ash received the Kathryn A. Morton Prize for Poetry (Sarabande, 2005). Her latest chapbooks are Orange Girl (dancing girl press) and Sonoluminescence (with Bill Allegrezza, Dusie Press). Her poems have appeared (or will appear) in Iowa Review, Denver Quarterly, and the anthology The City Visible: Chicago Poetry for the New Century. She is an editor for Sharkforum [http://www.sharkforum.org] where she presents a “poem of the week” series. She directs the Writing Program at Lewis University, serves on the advisory board for Switchback Books.

Nathan Graziano lives in Manchester, New Hampshire with his wife and two children. He's the author of seven chapbooks of poetry and fiction, a full-length collection of poetry titled Not So Profound and a collection of short stories, Frostbite. His latest work is a collection of poems titled Honey, I'm Home. For more information visit www.nathangraziano.com

Thursday, October 1, 2009

CJ Laity's Chicago Poetry Calendar for October 2009

Sunday, September 27, 2009

Chicago Poetry Listings

Monday, August 3, 2009

Kristy Bowen

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BEWARE UNSCRUPULOUS COPYCAT SITES

Dear Poets,

I had a talk with my friend Pamela Miller after the John Dickson memorial reading, and she was quite upset about how her friends are fighting with each other. I do not enjoy seeing my friends so upset. So, once again, I will take the higher ground and begin deleting some of the things that I have earnestly written in response to the virtual war a group of fanatics have been waging upon me. If after I delete the offensive materials, these dozen or so poets who have been making all the fuss take it upon themselves to repost my opinions without my permission, like they have done in the past, whether in excerpts taken out of context or in their entirety, then remember that, even though those views were originally either penned or published by me, others beside myself are responsible for filling our poetry community with hostility. I, at least, will now make an effort to stop the nonsense, and I can only hope my effort is not in vain.

I will not delete this page, however, because there have been so many lies spread about me that have caused so much uncalled for animosity toward me that I at least deserve a page to share my side of the story on. So I want to share with you a few words about a poet named Kristy Bowen and about the horrible things that she has been doing in her attempt to sabotage ChicagoPoetry.com.

First, let me tell you a little bit about myself. Every day for ten years I have worked on this website called ChicagoPoetry.com. Through it I have reviewed dozens of books. Through the "Chicago Poetry" Calendar at my site, poets have been able to network. ChicagoPoetry is one of the reasons many poets have met and now know each other. My project has been recognized by the Chicago Tribune, the Sun Times, the Chicago Public Library, WBEZ radio and so on. ChicagoPoetry is known for hosting dozens of poetry events at various venues that have attracted large crowds over the years. ChicagoPoetry is also known for sponsoring successful poetry contests and for publishing popular anthologies including Poetry Cram Magazine.

ChicagoPoetry.com also owns ChicagoPoetry.net and ChicagPoetry.org. It has hosted the "Chicago Poetry" Fest for many years and is also the host of the "Chicago Poetry" Cram that has been featured at Harold Washington Library and at the Printers Ball. Furthermore, I've hosted the "Chicago Poetry" Showcase for the Printers Row Book Fair five years in a row and I was dubbed "Mr. Chicago Poetry" by a former director of the Poetry Center of Chicago. My username is "chicagopoetry" at facebook, at myspace, at youtube, at LuLu, at blogspot, at IMDb and everywhere else on the internet. In fact, like it or not, for the last ten years the 13 letters "chicagopoetry" (all one word, no hyphen) have been synonymous with CJ Laity. There presently exists this group of poets in Chicago who don't like it, but I don't care: it is a fact that they simply need to learn to live with already. I have worked extremely hard to earn the right to my domain name and I plan on keeping it, forever, period.

One of the poets who benefited greatly from ChicagoPoetry is a woman named Kristy Bowen. After moving to Chicago, Bowen participated in many of ChicagoPoetry's events and by doing so she was able to meet those involved in Chicago's open mic scene. One of the first reviews of her work was written by me and published at ChicagoPoetry and that helped her launch her poetry career. I admit I gave her more praise than she deserved in that review; I was simply trying to be nice to her and that backfired on me, and I have learned my lesson. I will be much more careful in the future when reviewing self-published material like Kristy Bowen's. Bowen has also submitted poetry to ChicagoPoetry for publication on more than one occasion. She gave a $20 donation to ChicagoPoetry in order to have one of her poems appear in the 2005 Chicago Poetry Fest Anthology. She even once submitted a full length manuscript when I launched my imprint. That manuscript was rejected; instead I chose to publish the poetry of a South Sider named Kwame Pitts, and this obviously upset Bowen greatly. Before receiving this rejection, Bowen was completey pro-ChicagoPoetry, even appearing in my poetry crams at various venues. Here are Kristy Bowen's own words that were published at her own website: CJ Laity "was very helpful when I came to Chicago in discovering what was going on and introducing me to all sorts of great friends. CJ was even generous enough to review my chapbook and I found his site an excellent source of poetry news and event organization..."

I take it that Bowen is not used to rejection, because some time after having her manuscript rejected by ChicagoPoetry, in a truly manic about face, Bowen suddenly organized a hate campaign against me personally and against ChicagoPoetry.com. Without even bothering to inform me what her problem was, she began telling lies about me and she began mimicking my website on a blog. She used her status in the community, the very status that ChicagoPoetry generously helped her to obtain, against ChicagoPoetry. While I was recovering from surgery, after being a live liver donor in order to save a friend's life, Kristy Bowen was turning people who she would have never even met without me, against me. After a couple of years of bad mouthing me behind my back, in March 2008 she made her contempt toward ChicagoPoetry publicly known. Up until that point, I naively thought we were on decent terms. I certainly never said anything bad about her, but to the contrary, I often praised her and her work at my site. Nevertheless, through her ties to the Poetry Center of Chicago (she publishes their Juried Reading chapbook) she helped get me banned from the Small Press Month Showcase, when originally I was suppose to be the host and sponsor of the entire thing. When I posted a rant about how Small Press Month is actually sponsored by large presses, she expressed her aggressive hatred for me at her blog. While she was doing that, she also snuck online and made a failed attempt to register the domain name ChicagoPoetry.org; when she saw she was one day late in obtaining it, she registered the domain name ChicagoPoetryCalendar.org (the closest she could get to registering my exact domain name). A few months later, she set up a website called ChicagoPoetryCalendar.org and she began inviting others who have shown contempt toward ChicagoPoetry.com to sign up as members, including Kurt Heintz, who has creeped me out for nearly a decade with his absurd rivalry. What Kristy Bowen was doing was no accident or coincidence; she knew full well the problems that this infringement would eventually cause.

It is clear that Kristy Bowen has no idea how pathetic she looks as she copies my listings day by day and posts them on her fake site, because she has a little support group of people who hate me who are egging her on, so she is never given the chance to step back, look at her own actions objectively and think for herself. And I don't expect that to change, because some of the people putting her up to it have pointlessly been at my throat relentlessly for nearly ten years now and I wouldn't be surprised if they were still wasting their time with their anti-CJ hate campaign ten years from now, and clearly Bowen has decided to become part of that. They have quite literally gotten together and have plotted the downfall of CJ Laity. Their objective is to cause me so much aggravation and turn so many people against me that hopefully I will some day just disappear from the poetry scene, but in reality all they have ever succeeded in doing is dividing our community and making it a more bitter, tense place for others. So now, seeing that I will never "just go away" they have lost patience and they have decided upon a new stradegy: create a fluff ChicagoPoetry that has no opinion whatsoever about anything and that promotes themselves! Like any other group of fanatics, they probably truly believe what they are doing is the right thing to do; they refuse to recognize how wrong they are, even when faced with the damage they have caused. And it is a shame that their site was born out of this contempt, because with their combined energies, if they had chosen a unique name for their site and launched it with an attitude of cooperation instead of competition, it could have become a truly great thing for all of us; but as it stands, it will never be anything else but the ChicagoPoetry copycat site.

I waited nearly a year and a half after Bowen began attacking me personally and immaturely mimicking my website, hoping she would just cool off, but that didn't happen. When I finally complained about her infringement, she found some new energy within her hatred for me and she began publicly calling me "crazy" and a "lunatic" and a "psycho" and a "fucktard" and she posted all sorts of hateful things at her blogs and got her friends to post slanderous things at their blogs that called for a "boycott" of ChicagoPoetry.com and that urged people to link to Bowen's site instead of mine. The obvious question is if Kristy Bowen felt this way about ChicagoPoetry why did she submit a manuscript for publication in the first place? Look. I've gone through a lot in my life and I don't appreciate it when someone who doesn't know the first thing about me judges the way my mind works, so I expressed my dissatisfaction with her insensitivity toward those who suffer from depression or who have other mental issues. Did I get an apology? No, instead Bowen upped her rhetoric and became even more insensitive, at one point even comparing me to Ted Bundy, because (wouldn't you agree), if an outspoken poetry critic rants in his own defense he must also strangle, rape and bludgeon people to death.

A heated blog debate ensued in which Bowen and her friends (most of whom I have never even met) called me just about every name in the book, during which Bowen unintentionally exposed that she is actually kind of illiterate. Her nasty postings at her blogs were very poorly written and she could barely write more than a sentence or two at a time. Also, she exhibited a complete inability to communicate; every time a direct, reasonable question was asked of her, she avoided it with biting sarcasm, once even responding to me by saying "your opinions don't matter you stupid whore.". Seemed all she could manage to do was sling insults at me, slinging her mud while hypocritically villifying me for making an off color remark involving her weight that I had already apologized for. It was like trying to communicate with a spoiled child.

Kristy Bowen then resorted to fabricating slanderous lies about me and posting them on her blogs. In order to incite people against me, she claimed that I had contacted "Flourish Bakery" (apparently that's a venue where she does readings?) and that the owner of the place contacted her to tell her what a "psycho" I am, and that the owner said I "scared" her. In fact, nothing like that ever happened. It was completely fabricated by Kristy Bowen in order to get people angry with me and to convince them that it is okay to steal from me because I am "crazy". When I discovered the posting and inquired about it, she deleted it. She also claimed, in writing, that I have a "history of violence" that includes "getting kicked out of a bar at Around the Coyote after a fight with two poets." This is another complete fabrication. Once I got into a verbal quarrel with two poets at Around the Coyote, but they were the ones who got evicted from the bar for causing trouble, not me. And Kristy Bowen knows that. Recently she even went as far as to construct hate propaganda in the form of printed sheets of paper that falsely accused me of "attacking a woman's body" and "impersonating a rape victim" (whatever that is suppose to mean) that her friends passed out at the 5th annual Printers Ball while we were celebrating the release of Cram 6 with a poetry reading. Yes, she has actually gone that far in her hate campaign against me. I would ignore all of this, but Kristy Bowen has indeed managed to convince some people who have never even met me that I go around to poetry venues causing trouble, when in reality the only trouble I've been running into is from people who verbally accost me in public in response to Kristy Bowen's slanderous lies about me. To an uninformed person who witnesses this type of thing happening more than once, it would appear that I am the cause of the trouble, when in fact Bowen and her cult of angry, jilted poets are instigating it.

The excuse she gives for doing all of these ugly, nasty things is that she doesn't "like" the way I run things. She thinks I "pick" on people when I write criticism. She thinks the only person in the Chicago Poetry Scene who should be criticized is me and that if I respond to that criticism that means I'm crazy. She's pissed off that her little circle of unforgiving friends who have insulted and attacked me time and time again aren't the center of attention at ChicagoPoetry, so she has decided to create a fake ChicagoPoetry--run by them--that will create the illusion that they are that important. ChicagoPoetry wouldn't publish her book, so she's invented her own ChicagoPoetry that will. The "members" of her ChicagoPoetry have waged war upon the real ChicagoPoetry, telling lies about me in order to invoke anger, and then using that anger to convince people not to send me press releases and not to perform in my shows; and even when their failure glares back at them, when 53 poets read for me in a show or when Cram Magazine becomes bigger than ever, still, they refuse to recognize how wrong they are. Ladies and gentleman, as you can see, I am not doing anything evil: I am just promoting poetry.

Kristy Bowen thinks she has a "better" way to promote poetry, a way that involves telling lies about me, calling me a "fucktard" (short for fucked-up retard) and stealing from me. But her "better" way of doing things is flawed, to say the least. The most striking flaw in her "better way of doing it" is that there is very little information at Bowen's site about poets of color. It basically promotes the advancement of an all-white, primarily academic Chicago Poetry Scene, with the majority of her listings centering around her Columbia College friends, often promoting workshops with outrageously high fees that none of us can afford. Instead of being objective and including everyone in her "Chicago Poetry" world, she only includes events and links to things that she personally approves of, completely ignoring the south side of Chicago (and, no, I'm not talking about Hyde Park) and often posting a link to an event (like Weeds' poetry contest, for example) that merely directs people back to her own homepage when they click on it, instead of supplying any information about the event. Just about everything outside of Bowen's narrow view of Chicago Poetry that appears at her site has been directly copied right off of my website, ChicagoPoetry.org.

Another glaring flaw in her copycat website is that she often posts inaccurate or incomplete information and she allows others to post incomplete information without editing it. Her calendar often assumes that you already know the address or date of an event, but if that is the case, then why would you need to consult her calendar? Her site is simply drawing people away from the accurate information on ChicagoPoetry.com, and that is doing nothing but confusing people. On at least four occasions I have made it clear to her that Young Chicago Authors' WordPlay does not happen on Friday nights, but on Tuesday nights. Yet, for nearly a year, she listed that event in her weekly calendar as taking place on Friday evenings, sending young people to the corner of Milwaukee and Ashland only to find the doors closed, and she only finally changed it when I made such a public stink about it that she was forced to. Yet other Tuesday evening events, those her friends were hosting, were always listed accurately.

Basically what Kristy Bowen is doing is simply copying and pasting press releases from the emails she gets, a cheap and lazy shortcut around the fact checking, editing and commentary that the real ChicagoPoetry does. And why should she care, since, after all, her goal is not to supply the public with a true and accurate resource, but instead to do damage to ChicagoPoetry.com and to hurt me personally in a truly sick act of revenge, merely because I gave a few of her friends less than positive reviews and rejected her work for that of a woman of color.

Like a small child throwing a tantrum, the argument that she uses to justify her unethical behavior is that CJ Laity "does not have dominion over all things Chicago Poetry." For a while, buttons that said "We are ALL Chicago Poetry" were even passed out at poetry venues, as if I am some type of phantom boogyman who is saying these poets are not part of Chicago Poetry, the majority of whom had featured in my events on countless occassions prior to the blog war. Conveniently, these buttons were passed out at venues that I was not invited to, so that I couldn't be there to defend myself against the allegation being made. If those who passed out these buttons truly think that we are "ALL" Chicago Poetry, then why are so many poets banned from the readings that they dub part of their "Green Zone"? Aren't those poets part of the ALL? One only needs to look at Kristy Bowen's copycat site and then look at the real ChicagoPoetry to see who is representing "ALL" of Chicago poetry. But of course it is ALL pseudological nonsense that is beside the point anyway; because Kristy Bowen knows damn well we are talking about the internet domain name ChicagoPoetry (thirteen letters, all one word, no hyphen or space) not the entire concept of Chicago poetry. ChicagoPoetry.com links to hundreds upon hundreds of other sites. The majority of our readers use it as a reference to find other resources, so how does Bowen imagine it is trying to claim "dominion" over anything. Bowen is just making a bunch of nonsensical excuses in her attempt to steal what I've been working on for ten years, because she is jealous that ChicagoPoetry.com enjoys top ranking on all of the search engines, and she thinks she should be there instead of me. It is not healthy competition; it is an intentional act designed to cause fighting among the poets. If she gets her way, through the conflict she's having with me, people who don't know all the facts, who have been told only her side of the story, and who haven't been paying attention to the history, will feel sorry for her and then they will support her ChicagoPoetry instead of mine, and then, without having done any of the work, she will have stolen what I worked on for ten years. And how did she get in the position to do that? By taking advantage of all the good ChicagoPoetry.com offered her.

Her claim that she can't call her poetry calendar anything else but "ChicagoPoetry" Calendar is also complete nonsense; keep in mind she originally wanted to call it ChicagoPoetry.org. In fact, for a few days in March 2009 the banner at the top of her site actually said "ChicagoPoetry.org". This was right around the time in which my registration of that domain name was about to expire and it seemed Bowen was hoping that I'd forget to renew it. When I did renew it, the banner at the top of her site suddenly said ChicagoPoetryCalendar again. She claims she is not trying to trick people into thinking her site has anything to do with my site, but once she actually copied a listing of mine off ChicagoPoetry.com and posted it verbatim at her site, with my opinions and all, in order to trick people into thinking I write for her. If she really doesn't want people to think our sites are related, then why use the exact string of letters "chicagopoetry" in her domain name?

Here are some examples of possible domain names that won't infringe upon anyone:

PoetryInChicagoCalendar

WindyCityPoetryCalendar

KristyBowensPoetryCalendar

ChicagolandPoetryCalendar

CalendarOfPoetryInChicago

ChicagoCalendarOfPoetry

There are hundreds of variations that she can use. She is using the exact term "ChicagoPoetry" for one reason and one reason only: to attempt to piggyback off my site, steal my audience, cause conflict in which the woman practically incites violence against the man and then plays the victim and pretends that she is the one being bullied, with the ultimate goal of completely taking over a Chicago Poetry institution that we've all known and loved for an entire decade, an institution that arose out of the Letter eX that dates back to 1985. Who is Kristy Bowen and why does she think she deserves to have what hundreds of people helped to establish? Actually, the irony is that the Letter eX began as a form of protest as well. Debbie Pintonelli describes it here, saying: "We hated the Poetry Letter News, a newsletter then edited by Chris Holda. We were mad, and we weren't afraid to name names. We wanted to stir things up." But the obvious difference is, Letter eX didn't call itself "Poetry Letter News Calendar" but instead chose a unique name, and also I doubt it began by publicly calling Chris Holda a "fucktard".

To the poets who have been convinced by this group that CJ Laity is some type of villain, please, be honest with yourselves. Since Kristy Bowen and her gang of self-righteous jurors started their coup d'tat against me, have audiences at poetry readings gone up or down? My eyes tell me they have gone down--and I mean way down. Several poets have dropped out of the poetry scene altogether because they stimply can't stand the bickering. Ask yourselves, honestly, has the poetry scene become a happier place or a more bitter place? When people outside Chicago look at us what do they see? Do they see a thriving poetry scene or do they see a pack of children fighting with each other? Has anything good at all come out of Shelly Nation's efforts to censor and villify me? Has the poetry scene improved as a result of Michael Watson's calls to boycott me? Or have these people and their friends been trying to extort you by threatening to cut you out as well in their efforts to cut me out of the very poetry scene that I helped to create? Who is to blame for all of this bitterness? Am I to blame, for merely writing harmless criticism, like I've been writing for twenty years with none of the doom or gloom they predict ever occurring? Seriously, did the world really end when I suggested that they think their farts don't stink? Or are they to blame, for blowing everything out of proportion and for acting like a mob who takes bits and pieces of that criticism out of context only to constantly shove it in your face and incite you against me. And for what? A domain name? Please, for the sake of everyone else, give the Chicago Poetry Scene a chance to heal already: stop listening to the negativity of this self-serving so-called poetry "society". Allow me to say that Francesco Levato is doing a terrible job with the Poetry Center of Chicago if that is my honest opinion, and disagree with me if you like, but don't crucify me for simply being honest.

I know that ChicagoPoetry.com's audience is mature and is not in any rush to get involved with things like this. We all have better things to do besides fighting someone else's war, right? Unfortunately, Bowen's audience is primarily college aged kids and they have all the piss and vinegar in the world to help her spread her lies about me. So I am asking the poetry community to be aware of what Kristy Bowen is doing, understand that there are two sides of the story, and please do not be tricked into supporting her thievery. If you hear Kristy bowen or any of her friends saying something bad about ChicagoPoetry.com or CJ Laity, please tell them how much ChicagoPoetry.com does for the community; ask them why they want to spoil it for everyone else. If they insinuate that you will not be included in their poetry society if you support ChicagoPoetry, tell them you wouldn't want to be associated with that kind of Harper Valley society. The truth is they have no audience; just show up to one of their readings and you will see that they are merely reading to themselves. It is all an illusion by about a dozen poets who have gotten together to create a great big fantasy that they are the center of the poetry scene. They are just making a lot of noise: that's all.

Kristy Bowen needs to grow up and show a little respect, especially for the history of the Chicago Poetry Scene and for those who helped establish the very poetry scene she mosied on into. Her status in the community has become too influential for her to continue childishly calling people names at her blogs. She needs to learn to communicate, especially with those she disagrees with. If she refuses to talk about it, if she continues to infringe upon other people's property and offers no hope for reconciliation, then she is nothing but a cyberbully who can't be reasoned with. When I complained about her terrible behavior, she even compared me to Jeffrey Dahmer, because, obviously, if a poet rants in his own defense that means he also kills people and eats them too.

Ladies and gentlemen, do not be fooled by Kristy Bowen's wounded bird trick. Anything she claims that I have said about her or done to her, she and her friends have said about me and done to me twenty-fold. Also, don't be fooled by her copycat site. I am doing all the work and she is simply copying stuff off my site and pasting it onto her site, once in a while including something that praises one of her friends. It is nothing but cheap, unoriginal fluff.

Every time I finally get the chance to discuss this problem in person with someone who has been fooled by the propaganda against me, the real me, the kind, loving, generous, dedicated CJ Laity, is rediscovered--and amends are made. So there is an answer to the end of this awful bickering that has been plaguing our poetry scene for years. The answer is simple: stop listening to the bull and come back to the real ChicagoPoetry, the tested, tried and true ChicagoPoetry, the ChicagoPoetry with an audience of a half million people a year, an audience that has been earned, not stolen. Stop letting these fanatic poets--including Kristy Bowen, Kurt Heintz, Michael Watson, Shelly Nation, and Todd Heldt, these unforgiving poets, who are basically just out to get me because they somehow imagine they have been jilted by the real ChicagoPoetry, despite how much I have reached out to them--ruin everything for the hundreds upon hundreds of truly caring poets in Chicago who desire unity and diversity in the community. I am not naming names here to attack anyone; I am naming names hoping that they will stop attacking me, because I have big plans for the future of ChicagoPoery.com, and I would be hononored if ALL of Chicago poetry (even the names I've named) chose to be part of it. Imagine!

CJ Laity
Publisher of ChicagoPoetry.com